Tempo & Emotion of Genesis – 39 ‘Platinum Collection’ & the true "Ask not what your country can do for you" genesis


One of the things about the Genesis’ Reunion tour last summer which struck me as most unusual was the fact that each show was begun with a small mixed video and sound collage. At the end of that introduction as the most underrated band of my generation took the stage, we are listening to “the voice” – he was asked by the President of the Choate School, an excellent private high school in Wallingford, Connecticut, United States: “ask not what your School can do for you but what you can so for the School.” That voice? John Fitzgerald Kennedy. The best and brightest leader at The Choate School each year wins THE SCHOOL SEAL PRIZE. The winner of that prize in 1958 was alumnus JFK who graduated from Choate in the class of 1935. A *very* close [friend] of mine won the prize in 1989 and in fact had purchased the tickets to the September 27, 2007 show at Giants Stadium – 4th row. Hard study and leadership gets you a good seat! Anyway, it was unusual for this British band who loves their American fans but have never been at all politically active in the United States to have the final words before opening with “Duke’s Opening” wit a recording a the infamous words at JFK’s Inauguration: “Ask not what your country can do for you, but what you can do for your country.” Even more unusual was after listening to all 22 European shows I came to know that the show began the same way *in Europe* – the West is definitely looking for creative, bold, young leaders to rise up from we Americans and be a shining example to the world again. certainly we can set no better an example for the world than by democratically elected an African-American, young, dynamic, educated and confident with a Lincoln-esque desire to lead. Name? Barack Hussein Obama, Esq. Is there no better way to show by example they who hated the United States for trying to “force” democracy on them than change leaders, as per protocol of the United States Constitution, from George Walker Bush to one with the same name as Iraq’s dead despot and the man who has been blamed for the al-Q’aida attacks of 9/11, Osama bin Laden *with no regard to his name or skin color* but rather regard for the best interests in the continued freedom and prosperity of the United States and the World? I think not. Healing is better than getting hurt, and those who seek to do nothing other than inflict pain, such as that of the dictator Sadaam Hussein and his sons. Before one is so quick to say that Hussein “was not that bad of a man,” I suggest you read the accounts by any of the “humanitarian” groups who saw Sadaam and his sons sharing morning coffee while watching people chosen at random to be killed in ultimate torture. For example, victims were placed inside an industrial size paper shredder, legs first, in order that the victim know that his legs were being shredded, could see the internal organs fall out of his gut and die in shrieks of unknown horror.

These are the song tempos, in iTunes screen shot form, of each of the tracks on The Platinum Collection by Genesis.




Disc one

All songs by Tony Banks/Phil Collins/Mike Rutherford, except where noted.

1. “No Son of Mine” – 6:36
Meanspeed=104 beats per minute
2. “I Can’t Dance” – 4:01
Meanspeed=108 beats per minute
3. “Jesus He Knows Me” – 4:18
Meanspeed=190 beats per minute
4. “Hold on My Heart” – 4:38
* Tracks 1 – 4 originally issued on 1991′s We Can’t Dance
Meanspeed=86 beats per minute
5. “Invisible Touch” – 3:28
Meanspeed=131 beats per minute
6. “Throwing It All Away” – 3:50
Meanspeed=84 beats per minute
7. “Tonight, Tonight, Tonight” – 4:30
* Edited version
Meanspeed=98 beats per minute
8. “Land of Confusion” – 4:46
Meanspeed=116 beats per minute
9. “In Too Deep” – 4:57
* Tracks 5 – 9 originally issued on 1986′s Invisible Touch
Meanspeed=104 beats per minute
10. “Mama” – 6:49
Meanspeed=83 beats per minute
11. “That’s All” – 4:25
Meanspeed=84 beats per minute
12. “Home by the Sea” – 5:08
Meanspeed=128 beats per minute
13. “Second Home By The Sea” – 6:06
Meanspeed=102 beats per minute
14. “Illegal Alien” – 5:17
* Tracks 10 – 14 originally issued on 1983′s Genesis
Meanspeed=145 beats per minute
15. “Paperlate” – 3:24
* Originally issued on the UK 3 X 3 EP and the deleted North American edition of Three Sides Live in 1982
* Tracks 14 – 15 remixed by Nick Davis
Meanspeed=122 beats per minute
16. “Calling All Stations” (Tony Banks/Mike Rutherford) – 5:45
* Originally issued on 1997′s Calling All Stations
Meanspeed=88 beats per minute

Disc two

All songs by Tony Banks/Phil Collins/Mike Rutherford, except where noted.

1. “Abacab” – 6:55
Meanspeed=131 beats per minute
2. “Keep It Dark” – 4:35
* Tracks 1 – 2 originally issued on 1981′s Abacab
Meanspeed=128 beats per minute
3. “Turn it on Again” – 3:51
Meanspeed=131 beats per minute
4. “Behind the Lines” – 5:43
Meanspeed=82 beats per minute
5. “Duchess” – 6:07
Meanspeed=81 beats per minute
6. “Misunderstanding” (Phil Collins) – 3:14
* Tracks 3 – 6 originally issued on 1980′s Duke
Meanspeed=81 beats per minute
7. “Many Too Many” (Tony Banks) – 3:35
Meanspeed=61 beats per minute
8. “Follow You, Follow Me” – 4:09
Meanspeed=93 beats per minute
9. “Undertow” (Tony Banks) – 4:47
* Tracks 7 – 9 originally issued on 1978′s …And Then There Were Three…
Meanspeed=46 beats per minute
10. “…In That Quiet Earth’” (Tony Banks/Phil Collins/Steve Hackett/Mike Rutherford) – 4:56
Meanspeed=107 beats per minute
11. “Afterglow” (Tony Banks) – 4:09
Meanspeed=64 beats per minute
12. “Your Own Special Way” (Mike Rutherford) – 6:19
* Tracks 10 – 12 originally issued on 1977′s Wind & Wuthering
Meanspeed=63 beats per minute
13. “A Trick of the Tail” (Tony Banks) – 4:36
Meanspeed=120 beats per minute
14. “Ripples” (Tony Banks/Mike Rutherford) – 8:08
Meanspeed=71 beats per minute
15. “Los Endos” (Tony Banks/Phil Collins/Steve Hackett/Mike Rutherford) – 5:47
Meanspeed=88 beats per minute

Disc three

All songs by Tony Banks/Phil Collins/Peter Gabriel/Steve Hackett/Mike Rutherford, except where noted.

1. “The Lamb Lies Down on Broadway” – 4:50
Meanspeed=122 beats per minute
2. “Counting Out Time” – 3:36
Meanspeed=91 beats per minute
3. “The Carpet Crawlers” – 5:01
Meanspeed=73 beats per minute
* Tracks 1 – 3 originally issued on 1974′s The Lamb Lies Down on Broadway
4. “Firth of Fifth” – 9:29
Meanspeed=182 beats per minute
5. “The Cinema Show” – 10:49
Meanspeed=82 beats per minute
6. “I Know What I Like (In Your Wardrobe)” – 3:54
* Tracks 4 – 6 originally issued on 1973′s Selling England by the Pound
Meanspeed=84 beats per minute
7. “Supper’s Ready” – 22:52
* Originally issued on 1972′s Foxtrot
8. “The Musical Box” – 10:24
* Originally issued on 1971′s Nursery Cryme
Meanspeed=73 beats per minute
9. “The Knife” (Tony Banks/Peter Gabriel/Anthony Phillips/Mike Rutherford) – 8:53
* Originally issued on 1970′s Trespass
Meanspeed=139 beats per minute

Ian Schneider
meanspeed music company
August 4, 2008

Minor Keys at graceful speeds – Supertramp, "Breakfast In America" meanemotion=grace, objective tempo=74.1 bpm – Trick? Shhhhh… the C minor thing?



Supertramp’s Breakfast In America is graceful as “refined, effortless manner.” By lyrics, this song is abstraction. In repeat verses we are told about a girlfriend who doesn’t give much away, and then poetic visions of the United States in the ideal, with every Texan a millionaire, the women in California the most stunning on earth. In a verse out of nowhere, we are told that the singer, singing in the character of a child just the verse before is a sinner who is offering autographs.
It’s the lyrical expression and the musical expression that make the song such an archetype grace song. The song is sung with infectious humility and curiosity and innocence. The chord pattern is laid down in an almost staccato, fun manner, again suggesting an innocent child finding new harmonies on the piano. I hear it as though no matter what the lyrics were, in other words, if one could not even understand a word of the song, the fun humble innocence of the song would still come through.

Breakfast in America, by Supertramp Music Video Supertramp Breakfast in America

Added: 1 year ago

Views: 1,440,538

4.8
02:37

More in Music

Supertramp- Live Performance thanks to a super friend…thanks Nad! supertramp

Added: 1 year ago

Views: 410,706

4.8
02:35

More in Music

local musical genius music marco’s take on supertramps classic. supertramp. music marco

Added: 1 year ago

Views: 10,150

4.1
02:57

More in Music

Animation of Supertramp’s Breakfast in America Animation supertramp

Added: 1 year ago

Views: 80,119

3.5
04:18

More in Music

Supertramp BREAKFAST IN AMERICA acoustic cover supertramp breakfast in america break fast acoustic guitar cover music

Added: 1 year ago
From:rlisias

Views: 10,242

4.6
02:27

More in Music

in California I’m hoping it’s going to come true But there`s not a lot I can do Supertramp breakfast in america Take a look at my girlfriend
She’s the only one I got
Not much of a Girlfriend
Never seem to get a lot
.Take a jumbo cross the water
Like to see America
See the girls in California
I’m hoping it’s going to come true
But there`s not a lot I can do

Coult we have kippers for Breakfast
Mummy dear Mummy dear
They got to have ´em in Texas
´Cos everyone`s a millionaire
I’m a winner I’m a sinner
Do you want my autograph
I’m a loser what a joker
I’m playing my jokes upon you
While there`s nothing better to do

Don’t you look at my girlfriend
She’s the only one I got
Not much of a girlfriend
Never seem to get a lot
Take a jumbo cross the water
Like to see America
See the girls in California
I’m hoping it’s going to come true
But there`s not a lot I can do (more)

Added: 2 months ago

Views: 2,136

5.0
02:41

More in Music

Supertramp is able to convey a childlike innocent curiosity about the millionaires in Texas with whom they were going to hob-knob. (I think “Dallas” was the #1 US television show when this song came out).
SO:
HOW IS ALL OF THIS DONE???? without sounding, well, like Sesame Street, or a Kenny G Christmas for people who love extra sweet ballads? By playing in C minor instead of C major. There it is.
I personally have always enjoyed this song a lot, especially for the originality in the simplicity, a la Bruce Springsteen or Paul Simon. It was a high school album for me and I remember this song as pure fun then and I still hear it that way now. This was not the most of the three huge singles from this album –‘The Logical Song,’ Take The Long Way Home,’ and ‘Goodbye Stranger’ were also very well known. I like the cheeky attitude of it.
The overall speed of the song stays the same—a linear trend line through performance shows that the song undergoes no change over the entirety. So said, it is an interesting “live in studio” performance with five major sections of the song that bubble up between 74-76 beats per minute, each with break in between that slow as far as 69 and 70 beats per minute. The trend—stays away from the mean speed at the time, keep from getting too ceremonial and austere by not going down below 69. The breaks are pronounced and they help turn the song into a short story.

mean speed/objective tempo=74.1 beats per minute
mean emotion according the the meanspeed music conjecture=grace
beat frequency=1.235 beats per second
mean space=0.810 seconds between beats
mean space=3.239 seconds between measures
mean slow phase=1.235 cycles per second
mean pitch=316.16 Hertz, 27 cents above D#4/Eb4=311.127 Hertz, and 73 cents below E4=329.628 Hertz.


Ian Andrew Schneider
August 3, 2008
Meanspeed Music Company