Eddie Vedder sings MEAN: "black" – Pearl Jam’s ‘Ten,’ and ‘Live On Two Legs’ performaces compared with the meanspeed conjecture









This song, Black by the band Pearl Jam is seen among these graphs as both a bittersweet performance–in the studio, from their CD Ten–and then compared with a graceful, slower live performance from their live CD Live On Two Legs.
The bittersweet category is the Meanspeed defined: 77.459666… beats per minute. The square root of 60 seconds is 7.746 seconds. Divided this square root by 10, is .77459… seconds, the exact same amount of space when the tick of the clock speeds the “second” hand to the square root of 60 multiplied by 10: 77.459… beats per minute.

This central of central speeds points us to the space which provides a range where there seems to me a cluster of songs that literally hang in a languid way in the air. The love and confidence found in the category of grace turn bitter, to fear and languid introspection.

Bittersweet is defined as an adjective in Merriam Webster’s Collegiate Dictionary’s 11th Edition as simply: “1: something that is at once biter and sweet; esp.: pleasant but including or marked by elements of suffering or regret”. Thefreedictionary.com: “tinged with sadness”, “both bitter and sweet at the same.” Merriam-Webster Online dictionary provides “pleasure alloyed with pain”. Interesting definition there, because other dictionaries have the pain and the pleasure reversed, as in thefreedictionary.com’s “tinged with sadness”’. Dictionary.com offers this definition: “1. both bitter and sweet at the same time 2. Producing or expressing a mixture of pain and pleasure”.
Pearl Jam‘s mean speed=77.4 beats per minute performance–
in researching these songs, I was amazed at the number and depth of thought and imagination as to what the song “really” means. After reading about 50 or so reviews of the song, the consensus seems to be that this song is a story of a man in a young, deep all encompassing love that is coming to an end, and the woman in the song, who is not referred to personally, had an abortion. So: the song is a gut-wrenching expression of the beauty of the perfect young love that never was, the child that never was—all with the love for the lover in tact, but the relationship, as in Never A Time, “played out”—or here, Burned Out, as a steaming relationship seems to have turned to sex to conception to abortion to beak-up. Most of the abortion discussion comes from the lines; “I’m surrounded by kids at play/I can feel their laughter/so, why do I sear?” Those lyrics combined with vocalist Eddie Vedder’s pro-choice stand apparently based on this based-on-a-true-story experience. And though I am no social butterfly, I have heard more than one woman who has been open about having abortions, and this seems to be a song of comfort for them. And as a man, you basically must stop the conversation there out of respect of another person’s body. As for the singer, his “bitter hands cradle broken glass of what was everything…”
From personal experience, I know of at least one Should have been high school couple that play this in their cars at full volume, as they are married to other people, wondering of the grass was not greener on the other side—should she have married the first man? Was the first marriage better than the last romance before that marriage? The essays about this song are massively voluminous and emotional. iTunes alone has 10-20 versions of this song in live situations—which should give you an idea of the way this song struck a chord with so many people—generally people that are in a bitter mood and try to bring themselves back by memory to that state of original innocence and perfect love—which is always real, and 99.7 % of the time temporary. Moreover, we can all spot those 0.3% of couples that Neo-sublime love over their entire lives—a lucky crew indeed.
As you can see, all quarter notes in the version studio song average out to literally the numerical mean speed. There are 77.4 beats per minute, and between each beat the time interval is 0.774 seconds. I theorize, especially based on a problem academicians have usually called “the problem around 700 milliseconds” (Paul Fraisse, France) and linguists at the University of Indiana point to this: when you read, process thought and speech at this speed, it means only one thing: indecision and languishing, would have beens, could have beens.

In regard to the “speed around 700 milliseconds” being a source of confusion in all mental processing matters, please look at this article by Sandra Blakeslee of The New York Times, where she explains how the Hesitation and Tip of the Tongue effects are at a speed between 700 and 800 millliseconds. This is her short article, which is not edited, as I will not take anything out of context from “the Times”:

Traffic jams in Brain Networks May in Verbal Stumbles

By SANDRA BLAKESLEE (NYT)

It is so frustrating: You are talking to a friend when suddenly you cannot remember the name of something. It is on the tip of your tongue but no matter how hard you try, you cannot say what it is. Even more maddening, you know so much about it: It is an animal that lives in South America. It gives wool that is sometimes made into sweaters. You met someone in California last year who raises them. It is an, .. er, um…

To scientists who study the brain, this is a tip-of-the-tongue experience. It even crops up in a slightly different form among users of sign language. They call it a tip-of-the-finger experience.

“Humans love to talk,” says Dr. Willem Levelt, director of the Max Planck Institute for Psycholinguistics in Nijmegen, The Netherlands. “Most of us spend large parts of the day in conversation. If we are not talking to others, then we are talking to ourselves.”

Dr. Levelt’s interest is in the problem of how people go from thinking about something to actually saying it. In the course of studying the component systems involved in generating spoken words from thought, he has developed a theory about what is happening inside the brain when a speaker blocks on a rod.

The identification of these systems is base on advanced techniques for imaging the brain, he said. These two techniques allow the researchers to watch the process whereby thoughts are transformed into a seamless flow of words, to see where the process breaks down, and to show how people correct errors on the fly.

Dr. Levelt and his colleagues base their research on the assumption that the human brain contains distinct modules for processing thought into language. Dr. Gary Dell, a professor of psychology at the University of Illinois, said that this assumption is widely accepted among psycholinguists.

The exact anatomy of the proposed modules is not yet known, Dr. Levelt said in a telephone interview, but their existence can be demonstrated experimentally. They are not little boxes in the brain, he said, but widespread networks of interconnected neurons that cooperate, with precise timing, to carry out specific tasks.

Dr. Levelt calls the three modules the lexical network, the lemma network, and the lexeme network. Essentially, the lexical network handles thoughts, the lemma network handles syntax, and the lexeme network manages spoken sounds.

In speaking, the first module to be activated is the lexical network. “Conceptualizing is deciding what to express, given our intentions,” Dr. Levelt said. “As speakers, we spend most of our attention on these matters of content” and how to order thought sequentially.

Once a message is thought-out, he said, “we must capture it by some lexical concept.” To do so, we dip into our stored vocabulary — typically tens of thousands of words. Speakers can retrieve two to three words per second containing 10 to 15 speech sounds.

Imagine you want to say the word llama, Dr. Levelt said. Perhaps you saw a picture of a llama, or you thought of the animal while talking to a friend. The mind first activates the lexical node for llama, which contains everything you know about llamas. It is an ungulate with a long neck, it is used as a pack animal, and so forth.

When the lexical node for llama is activated, nodes for words of similar meaning are also stimulated. These might include the nodes for sheep and goats, nodes for beasts of burden in general, nodes for hoofed animals, and so forth. At this point, you still don’t have the word for llama. But you have activated a great deal of information about llamas and similar animals.

The next stage in processing is handled by the second module, the lemma network. When the lexical concept for llama and other activated concepts are passed to this level, two things happen.

First, the lemma assigns proper syntax to each incoming concept. These are the rules of the speaker’s language, including word order, gender if appropriate, case markings and other grammatical features. Also at the lemma level, verbs, nouns, and modifiers are put in their proper place in a word string.

Second, the various activated lexical concepts engage in a competition. Most of the time, the most highly activated concept (llama) will win. But sometimes there is interference from other lexical concepts. The more that are activated, the longer it takes to generate the desired word.

Timing experiments done in Dr. Levelt’s lab show how this works. Subjects are shown picture and asked to name them as fast as they can. The average naming time is 700 milliseconds. Then the experimenter adds a distraction — such as muttering the word horse when a picture of a cow is presented. People need 800 milliseconds on average to name cow when the lexical concept of a horse is also activated.

The third part of the process is to turn a chosen lexical concept into a spoken word. This is called the lexeme level. “Accessing the lexeme is harder than you think,” Dr. Levelt said. The mind has to find the correct sound and match them to the syntactic elements in the lemma network. This is where the process of generating thoughts into speech can fail, Dr. Levelt aid. Many things can go wrong.

One is the tip-of-the-tongue phenomenon. You are at the lemma level but the word refuses to come. You know a lot about it. You might even know it has two syllables with the stress on the first syllable, which suggests that part of the lexeme information is accessible.

People who speak languages with masculine and feminine words almost always know the correct gender of the missing word, said Dr. William Badecker, a research scientist at Johns Hopkins University who works with brain-damaged patients who have trouble naming things.

Why do words become blocked?

“We don’t know for certain,” Dr. Levelt said. But one idea is that a given lexical node is not sufficiently activated to spread to the lexeme level where speech sounds are stored. Thus llama might not win out over sheep and goats, leaving the speaker fumbling for the word. But as most people have discovered, waiting for a few minutes will help retrieve a word on the tip of your tongue.

Dr. Dell explains what happens: “Say you are trying to remember the name of that funny stuff inside a sperm whale, the stuff used in perfume. You may think it sounds like amber but you know it’s not. But you keep thinking amber, amber, which makes the amber part of your network activate. Eventually, you give up and think about something else. Later, when you think about it again, the word may suddenly appear — ambergris.”

Other kinds of speech errors can occur in the transition between the lemma network and the lexeme network, Dr. Dell said. Sometimes people exchange one word for another (Fill up my gas with car) or mix up speech sounds (queer old dean instead of dear old queen).

So-called Freudian slips of the tongue are also common. Freud thought that they represent deep sexual urges but they are more innocent. Dr. Levelt said. While talking, people are often thinking about other things, which can caue an unrelated lexical node to become activated.

But if all goes well and a word is retrieved correctly, it goes to the next level of processing which is articulation, Dr. Levelt said. This is the process whereby the syllables are mapped into motor patterns generated in the tongue. lips, mouth, larynx, and lungs.
(used with permission of the New York Times)

Literally the speed of the check swing in baseball, the speed at which Irrevocable Commitment is at a standstill. This speed, not only in music, but also by pure temporal sequencing in the brain, in my judgment, is, quite simply, the speed of indecision.
This song, recorded live, takes us on a fairly steep acceleration—approximately 8-10% from the beginning to end. So said, like The Boston rag, much of the first part of the song lies in or near the speed category of-grace. However, at beat 220, nearly 3 minutes into the song the 77-79 bpm performances dominates, and the end quarter of the song rises all the way to the category of lonely. I would call this: a brilliant emotional journey, expressed naturally and unconsciously by pearl jam, taking us from grace to bittersweet to loneliness is in a smooth yet rugged fashion, as you can see by the graphs.
The graphs are based on a spreadsheet generated with this method:
a) I calibrated groups of every single measure (four quarter-notes) ten times with
Seiko 300-lap stopwatches;
b) Ten trials were averaged, coordinated and synthesized.
I the created the speed graph in Microsoft’s Excel for MacIntosh 2004 on an Apple iBook G4 as hardware. One of the graphs derived from the results, in a radar graph style was printed on an Epson CX4600, scanned on same printing device.

The numerical coordinates are available upon request.

Coffee courtesy of Meredith and United States Army Bronze Star Army Captain Jeff Schneider of TexasRoast.com.

Best, from the home of the New York Mets,
Ian Schneider
May 14, 2008
(this is an updated version of an article originally published on June 28, 2006)

Music and the Speed of Being Alone: From Rickie Lee Jones to Susan Flannery to Gloria Fisher Abbott Bardwell Bardwell, 83.6 bpm is a key indicator of Loneliness – and analysis of “On Saturday Afternoons in 1963″

Susan Flannery - meanspeed conjecture chartbold-and-the-beatutiful-logan-forrester-wedding-meanspeed-graph-1

on-saturday-afternoons-in-1963-meanspeed-chart-2The song by Rickie Lee Jones called On Saturday Afternoons in 1963. The speed of the song is 83.6 beats per minute. The average beat=718 milliseconds. These are a list of songs at similar speed from the website meanspeed.com courtesy of Meanspeed Music™-

The song reminded me very much of what looked to be Susan Fannery’s final day on the soap opera The Bold and The Beautiful. In order to show the spirit of maudlin loneliness that the song expresses, I placed music histograms on top of these fantastic actors in this, the WORLD’s most popular television drama. In fact it is the only program that has a live feed internationally.

When we talk to our parents as we get older, we have something to talk about beyond the “family” itself. Where my dad and I have always been able to kill two hours talking about why the New York Jets always draft such poor players, I had no point of reference like that with my mom. Enter d.v.r. technology and CBS’ two dramas, the Young and the Restless® and the Bold and the Beautiful®. We never lack for conversation, and here are two family dramas that I do not need an HBO subscription to access. In regard to those pictured on this most excellent song’s meanspeed music™ charts, all hail: Ron Moss, Susan Flannery, John McCook, Jack Wagner and the rest of teh BB team. Of course, when you are gossiping about that of the Forrester’s, Logan’s, Maroni’s, Newman’s, Chancellor’s, Abbott’s and of course the Fisher’s, led by the mother who one cannot help like despite her manipulating ways – I speak of course of Gloria Fisher Abbott Bardwell Bardwell [sic].

I recently came across a WordPress blog that talked about this in newborn baby/feminist terms, and it certainly is emotional. From the kitchen table: http://kitchentable.wordpress.com/2007/01/25/on-saturday-afternoons-in-1963/on-saturday-afternoons-in-1963-meanspeed-chart-3
Meanspeed’s label “the speed of loneliness” for songs averaging 79-84 bpm does not mean that such songs that emote loneliness need be *sad*. Loneliness can bring out strength and optimism in the face of such solitude in life changes. I let the lists of songs and their tempi speak for themselves. I also think the Bold and the Beautiful display these emotions on a daily basis with their fantastic writing, acting and story-telling. The most important story lines are *family* oriented. Sexual perversion is free and out in the open on the tv channels hosting such shows. Ironically, now that graphic sex acts cannot be avoided when one channel surfs, the regular television dramas have moved to the *story* and *emotion* areas of life.

Ian Andrew Schneider

Memories In Gold Frankie Laine 80.9
Misunderstanding Genesis 80.9
Shaking The Tree Peter Gabriel
Live-Secret World
80.9
Tongue R.E.M. 80.9
You’re In My Heart
(The Final Acclaim)
Rod Stewart 80.9
Digging In the Dirt Peter Gabriel 81.0
Lay Another Log On The Fire B.B. King 81.0
Let It Rain Sybil 81.0
Overs Simon & Garfunkle 81.0
Sun On The Moon James Taylor
Live-Live
81.0
Tell Me Why Neil Young 81.0
What Kind Of Fool? Barry Gibb and Barbara Streisand 81.0
Why Should I Cry For You Sting 81.0
And Be With You Paul McCarthy 81.1
Caravan Van Morrison 81.1
Cold Feet Albert King 81.1
Duchess Genesis 81.1
I Didn’t Know What Time It Was James Taylor 81.1
I’ve Loved These Days Billy Joel 81.1
South Side Of The Sky Yes 81.1
You Can’t Always Get What You Want Rolling Stones 81.1
You Never Miss The Water Till The Well Runs Dry The Mills Brothers 81.1
Can’t Let Go Mariah Carey 81.2
Diamonds On The Souls Of Her Shoes Paul Simon
Live-Central Park 8/17/91
81.2
Free Man In Paris Joni Mitchell 81.2
Give Me Love(Give Me Peace On Earth) George Harrison 81.2
Miami Billy Joel
Live-Songs In The Attic
81.2
Standing On The Edge B.B. King 81.2
Trenchtown Rock Bob Marley 81.2
The Worst That Could Happen (To Me) The Brooklyn Bridge 81.2
Born Free John Barry 81.3
Can’t Find My Way Home Eric Clapton 81.3
For My Lover Tracy Chapman 81.3
Hard Habit To Break Chicago 81.3
The Morning After
Song From The Poseidon Adventure
Maureen McGovern 81.3
Nevertheless The Mills Brothers 81.3
We Got Married Paul McCartney
Live-Wembley 1/16/90
81.3
Captain Fantastic And The Brown Dirt Cowboy Elton John 81.4
Clear As The Driven Snow The Doobie Brothers 81.4
Only In Your Heart America 81.4
Take Good Care Of My Baby Bobby Vinton 81.4
Why Should I Cry For You Sting
Live-Hollywood Bowl 10/2/91
81.4
Behind The Lines Genesis 81.5
Big Legged Woman Jerry Lee Lewis 81.5
Factory Bruce Springsteen 81.5
Going Under Patti Smith 81.5
I Can’t Help It If I Don’t Feel So Good James Taylor
Live-Boston 1987
81.5
Romeo and Juliet Indigo Girls 81.5
Somewhere Down The Crazy River robbie Robertson 81.5
Yesterday Ray Charles 81.5
Gasoline Alley Bred The Hollies 81.6
Golden Slumbers The Beatles 81.6
Maybe I’m Amazed Paul McCarthy 81.6
Me And The Devil Blues Robert Johnson 81.6
Southern Cross Crosby, Stills, Nash and Young 81.6
Bang Bang
(My Baby Shot Me Down)
Cher 81.7
Look Down Les Miserables/English Cast 81.7
Mad About You Sting
Live-Late Night with David Letterman 9/4/91
81.7
Mean Disposition Rolling Stones 81.7
The Pusher Steppenwolf 81.7
Rocky Mountain High John Denver 81.7
That’s The Way Of The World Earth, Wind, and Fire 81.7
American Tune Paul Simon 81.7
Cuckoo Cocoon Genesis 81.8
Don’t Change On Me Ray Charles 81.8
For Your Eyes Only Sheena Easton 81.8
I’ll Be There Mariah Carey 81.8
Sugar Mountain Neil Young
Live-Live Rust
81.8
Cooper’s Lament Arlo Guthrie 81.9
For No One The Beatles 81.9
I Feel You Depeche Mode 81.9
Into The Night Benny Vardones 81.9
Ohio Crosby, Stills, Nash and Young
Live-4 Way Street
81.9
One More Chance Diana Ross 81.9
Peace Train Cat Stevens 81.9
That Would Be Something/Meet You In The Falling Rain Paul McCarthy
Live-MTV Unplugged April 1991
81.9
Vahevala Loggins & Messina 81.9
American Tune Paul Simon 82.0
Everything You Touch Smokey Robinson 82.0
Heart Of The Matter Don Henley
Live-MTV Unplugged
82.0
Help Me Joni Mitchel 82.0
I’ll Be Over You Toto 82.0
The Lee Shore Crosby, Still, Nash and Young 82.0
Mad About You Sting
Live-MTV Unplugged
82.0
Martha Jefferson Airplane 82.0
The Mexican Connection Billy Joel 82.0
Only For A While Anita Baker 82.0
Pretend Natalie Cole 82.0
Rosalinda’s Eyes Billy Joel 82.0
Someday Is Tonight Janet Jackson 82.0
The Sound Of Silence Paul Simon with the Jessy Dixon Group
Live-Live Rhymin
82.0
Angel Of The Morning Merilee Rush 82.1
Evil Woman The Doobie Brothers 82.1
Kiss Marilyn Monroe 82.1
Non Dimenticar(Don’t Forget) Nat King Cole 82.1
Take Me Home, Country Roads John Denver 82.1
Tonight I’ll Be Staying Here With You Bob Dylan 82.1
Waited On The Way Crosby, Stills, Nash and Young 82.1
In The Gallery Dire Straits 82.2
Everytime You Go Away Paul Young 82.3
I Don’t Want To Louse You Now Gloria Estefan 82.3
The Look Of Love Anita Baker 82.3
Make It Easy On Yourself Dionne Warwick 82.3
So Close Yet So Far Away Hall & Oates 82.3
Tomorrow (Better You, Better Me) Quincy Jones 82.3
That’s When Your Heartache Begins Elvis Presley 82.4
While The Night Is Still Young Billy Joel 82.4
Ain’t Wastin’ Time No More The Allman Brothers
Live-Wipe The Windows
82.5
Backstreets Bruce Springsteen
Live-Live 1975-1985
82.5
Black Money Culture Club 82.5
Love Me Like A Man Bonnie Raitt 82.5
We Will Rock You Queen 82.5
Bridge Over Troubled Water Simon and Garfunkle
Live-GHs
82.6
It’s Gonna Get Better Genesis 82.6
Romeo and Juliet Dire Straits
Live-Alchemy
82.6
Somewhere Along The Line Billy Joel 82.6
Songs Of Life Neil Diamond 82.6
Watching The Wheels John Lennon 82.6
Breakin’ The Rules Robbie Robertson 82.7
Dayton Ohio-1903 Randy Newman 82.7
Do You Hear The People Sing? Les Miserables/English Cast 82.7
Goodbye Pat Metheny Group 82.7
In My Life Judy Collins 82.7
John Barleycorn Traffic 82.7
You Never Give Me Your Money The Beatles 82.7
Here, There and Everywhere The Beatles 82.8
How Come You Don’t Call Me Anymore Prince & The Revolution 82.8
Jersey Girl Bruce Springsteen & The E Street Band
Live-Live 1975-1985
82.8
Like A Rock Bob Seeger 82.8
Lonely Janet Jackson 82.8
Surprises Billy Joel 82.8
This Flight Tonight Nazareth 82.8
Trying To Hold On To My Woman Lamont Dozier 82.8
The Boxer Simon & Garfunkle
Live-Central Park 9/80
82.9
Goodbye To Love Carpenters 82.9
I’m Waiting For The Day The Beach Boys 82.9
Learning To Fly Pink Floyd 82.9
Mama Genesis 82.9
Magic Man Herb Albert 82.9
Perry Mason TV Theme 82.9
Saturday Night and Sunday Morning Phil Collins
Live-Berlin 1990 video
82.9
Sea Of Love Honeydrippers 82.9
Such A Woman Neil Young 82.9
Throwing It All Away Genesis
Live-London 1986 video
82.9
Broken Arrow Rod Stewart 83.0
Darling, Je Vous Aime Boucoup Nat King Cole 83.0
Evolution Oleta Adams 83.0
I’ve Got A Feeling The Beatles 83.0
Rosanna Toto 83.0
See The Changes Crosby, Stills, Nash and Young 83.0
Shangri-La The Letterman 83.0
This Girl’s In Love With You Dionne Warwick 83.0
29 Ways Marc Cohn 83.0
All The Girls Love Alice Elton John 83.1
Breakdown Guns N’Roses 83.1
Fragile Sting
Live-Hollywood Bowl 10/2/91
83.1
The God That Failed Metalica 83.1
Isn’t Life Strange Moody Blues 83.1
I Was The One Elvis Presley 83.1
My Man Peggy Lee 83.1
Not Enough Love In The World Don Henley 83.1
Strawberry Fields Forever Richie Havens
Live-Richard P. Havens 1983
83.1
The Way You Make Me Feel Michael Jackson 83.1
Chapel of Love Darlene Love 83.2
The Color Of Love Dan Fogelberg and Billy Ocean 83.2
Dear Mr. Fantasy Traffic 83.2
I’m Still Waiting Dianna Ross 83.2
Little Girl John Mayall & The Blues Breakers with Eric Clapton 83.2
Melissa The Allman Brothers 83.2
Rejoice Yes 83.2
Yesterday Once More The Carpenters 83.2
Brenda’s Got A Brand New Baby 2PAC 83.3
Good Times Edie Brickell with Barry White 83.3
Lazy Marilyn Monroe 83.3
Make It With You Bread 83.3
Maria Elena Los Indios Trabajaras 83.3
Come Together The Beatles 83.4
Comin’ Back To Me Jefferson Airplane 83.4
Happy Michael Jackson 83.4
Saturday Night and Sunday Morning Phil Collins
Live-Madison Square Garden 10/2/90
83.4
Drive The Cars 83.5
Everybody Plays The Fool The Main Ingredient 83.5
Fanfare For Rocky Bill Conti 83.5
The Gift Annie Lennox 83.5
My Love Is Leaving Steve Winwood 83.5
Old King Neil Young 83.5
Rich Girl Daryl Hall & John Oates 83.5
Soul Provider Michael Bolton 83.5
Tracks Of My Tears Smokey Robinson
Live-Motown 30 years Whats Going On 11/25/90
83.5